VisionColor ImpulZ LUTs

Buy Now

World’s Finest LUT Library

35mm Negative and Film Print LUTs

These are the 3D LUTs you have been Google’ing for! Make no mistake about it, ImpulZ is the world’s finest library of motion picture film LUTs emulating 35mm celluloid film. visionCOLOR a filmmaking resource company has partnered with me to bring you the same 35mm “look” found in the Hollywood DI process!

Featuring some of the world’s most sought after still and motion picture Kodak and Fuji film negatives. ImpulZ LUTs accurately achieves the color and look of analog film for your camera and for your software. With 3 versions to choose from, Basic, Pro and Ultimate, ImpulZ is scalable to fit your needs and your budget.

I use these LUTs in my professional work and so you have my personal promise and assurance that these won’t disappoint or your money back!

Buy Now

Buy Now         Buy Now

Get ImpulZ in FCP X with LUT Utility
Buy Now
Save $9 Bundled Together!

Differences in Packages Listed Below


Footage Courtesy of: Kraig Winterbottom of MOHAWK

Which version should I choose?

If you’re shooting with an HDSLR or Micro 4/3 camera using no particular picture style or color profile then I suggest the Basic. But if shooting with the Blackmagic Cinema 2.5K/Blackmagic Pocket Camera or any other camera with a picture or color profile loaded (i.e. ProLost Flat or SLog2), then I suggest the Pro version. And if you’ll be shooting with the Arri Alexa, RED, BMC 4K/URSA, C100/300/500 or Sony F55/F65, then I suggest the Ultimate.

Will they work in my software?

ImpulZ LUTs are in the most popular .cube format and so they will work in MOST editing and grading apps. This includes DaVinci Resolve, Adobe SpeedGrade, Adobe After Effects, Adobe Premiere Pro CC, AVID Media Composer and Apple FCP X and Apple Motion 5 with my LUT Utility plugin. Plus they will work in many high-end finishing and compositing apps.

About ImpulZ

This unique collection of meticulously generated film emulation LUTs brings the subtle beauty of the worlds best analog film stocks from Kodak®, Fuji® and more to the realm of digital cinematography and color grading. We hand selected some of the most sought after still and motion picture 35mm negative films to generate color accurate conversions for a large number of digital cameras and color spaces. ImpulZ™ is not just any other collection of one-click-make-awesome presets – it’s a complete toolkit to transform the way you’ll approach color grading!


ImpulZ™ breaks down the limitations of standard color correction tools with 30.000+ individual color transformations per film stock – in real time. Simply by integrating our 3D LUTs into your grading workflow you can turn every LUT compatible application into the most streamlined and flexibile film emulator ever – there’s no longer any third party software or plugin standing between you and giving your movie the exact look you always wanted. With ImpulZ‘s 3 distinct output gammas including industry standard Cineon LOG you’re always in complete control of the grade!

Included film stocks



Supported Cameras

ImpulZ™ supports all current generation cameras through our generic LOG & Rec.709 input patches that are included in all versions of ImpulZ™. By popular demand we have additionally profiled a number of specific cameras with different color profiles for increased color accuracy and consistency. See the full list of cameras and profiles below:


If your camera or preferred profile is not included on the list above doesn’t mean your camera is not supported. The open 3D LUT format of ImpulZ™ allows for any kind of image manipulation before and after a specific LUT is applied. The generic LOG & Rec709 profiles are a mathematically derived average of a large number of cameras and people have been using these same generic profiles exclusively with our highly popular OSIRIS LUTs – the results should speak for themselves!

Output Gamma / Color:

ImpulZ™ is all about flexibility which is why we’ve included multiple output gamma and color response profiles for each individual film stock. These are not just your average constrast curves that re-map luminance values but the results of complex non-linear functions that distribute brightness and saturation across the tonal range similar to what you would see in a photographic lab-print. The richness of color that we associate with photochemical film is exactly what we’ve been missing from existing film emulations which is why we’ve developed an alternate approach. These are our babies!


Film Contrast: Non-linear distribution of image saturation with a film-like gamma curve.

Film Print: Industry standard Vision 2383 film print. Medium contrast/saturation print stock.

VisionSpace™: Our custom gamma response which is ideal for starting your grade. Just enough contrast to get you started in the right direction without blowing out highlights or shadows and the same non-linear saturation as our film contrast profiles.

Cineon® LOG: Industry standard Cineon LOG compound gamma. This is how the negative DPX scans looked when they came straight off the film scanners (Hasselblad Flextight X5 & ArriScan 4k btw). Resulting negative emulations are compatible with all film print emulations that expect a cineon curve as input and provide a perfect starting point for fully fledged color grading. Obviously the quality of the Cineon LOG representation of your image data depends on your source footage. Our conversions will apply interpolation to make up values where your camera’s sensor hasn’t picked up any information and Cineon may not be the ideal workflow for highly compressed footage from lower end devices.

Additional Conversion LUTs (Ultimate only):

Cineon to Vision 2383 (D50) FPE (Rec709) [medium contrast/saturation]
Cineon to Vision Premier 2393 (D55) FPE (Rec709) [more silver in emulsion - rich blacks/high sat]
Cineon to custom 35mm Fuji FPE (Rec709) [color positive still film with custom print gamma]
Cineon to Film Contrast 01
Cineon to Film Contrast 02
Cineon to VisionSpace™

Software Requirements:

You’ll need one of the following color grading/editing applications to work with the ImpulZ™ LUTs:

  • DaVinci Resolve (Full & Lite)
  • Adobe Speedgrade
  • Adobe Premiere CC
  • Adobe After Effects CS6/CC
  • Adobe Photoshop CS6/CC
  • Final Cut Pro X
  • Avid MC 7
  • Shake
  • Pandora Revolution/Pixi
  • CineForm Studio Premium
  • Nuke
  • Film Master
  • Quantel Pablo
  • BaseLight
  • Motion 5

The LUTs come in .cube format. If you need them in any other open 3D LUT format we’ll handle the conversion for you – free of charge.

Satisfaction Guaranteed

I will do my very best to ensure that you are satisfied with my products and if for whatever reason you are still not happy with your purchase I offer a 7 day money back guarantee. I’m available by phone or email if you need me.