Why ImpulZ™

These are the 3D LUTs you have been Google’ing for! Make no mistake about it, ImpulZ is the world’s finest library of motion picture film LUTs emulating 35mm celluloid film. visionCOLOR a filmmaking resource company has partnered with us to bring you the same 35mm “look” found in the Hollywood DI process!

Featuring some of the world’s most sought after still and motion picture Kodak and Fuji film negatives. ImpulZ LUTs accurately achieves the color and look of analog film for your camera and for your software. With 3 versions to choose from, Basic, Pro and Ultimate, ImpulZ is scalable to fit your needs and your budget.

I use these LUTs in my professional work and so you have my personal promise and assurance that these won’t disappoint or your money back!

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Choose the version that's best for you!


Kodak & Fuji LUTs profiled for generic LOG and Rec709 profiles. Works great with HDSLR's and Micro 4/3 cameras with no particular picture style. Includes 6 LUTs



Designed for high-end cameras like Arri Alexa, RED, BMC 4K/URSA, C100/300/500 and any Sony S-Log including Sony A7S(ii). Features Kodak Vision3 LUTs!

$109 USD


Profiled Blackmagic Cinema 2.5K/Pocket Camera, GH4, GoPro and any Canon and Nikon shooting custom picture profiles (i.e. ProLost Flat, VisionTech, CineStyle).

$59 USD

Will they work in my software?

ImpulZ LUTs are in the most popular .cube format and so they will work in MOST editing and grading apps. This includes DaVinci Resolve, Adobe SpeedGrade, Adobe After Effects, Adobe Premiere Pro CC, AVID Media Composer and Apple FCP X and Apple Motion 5 with LUT Utility plugin. Plus they will work in many high-end finishing and compositing apps.


ImpulZ™ breaks down the limitations of standard color correction tools with 30.000+ individual color transformations per film stock – in real time. Simply by integrating our 3D LUTs into your grading workflow you can turn every LUT compatible application into the most streamlined and flexible film emulator ever – there’s no longer any third party software or plugin standing between you and giving your movie the exact look you always wanted. With ImpulZ‘s 3 distinct output gammas including industry standard Cineon LOG you’re always in complete control of the grade!

About ImpulZ

This unique collection of meticulously generated film emulation LUTs brings the subtle beauty of the worlds best analog film stocks from Kodak®, Fuji® and more to the realm of digital cinematography and color grading. We hand selected some of the most sought after still and motion picture 35mm negative films to generate color accurate conversions for a large number of digital cameras and color spaces. ImpulZ™ is not just any other collection of one-click-make-awesome presets – it’s a complete toolkit to transform the way you’ll approach color grading!


We’re offering ImpulZ™ in 3 versions, Basic, Pro & Ultimate to give you the choice to pick the exact version and features you need while keeping the price incredibly low. Below you’ll find the complete list of film stock emulations and features that are included with the different versions and how they compare.

Click "+" to explore

+ Included Film Stocks
Film Stocks
Fuji Pro 400
Fuji Superia 200
FujiColor 200
Kodak Ektar 100
Kodak Ultramax 400
Kodak Gold Gen. 6 200
Kodak Elite Color
Kodak Elite Chrome 200
LPP Tetrachrome 400
Color Implosion 400
Kodak Vision3 50D 5203 (NEG)
Kodak Vision3 50D 5203 (DP)
Kodak Vision3 250D 5207 (NEG)
Kodak Vision3 200T 5213 (NEG)
Kodak Vision3 500T 5219 (C41)
Kodak Vision3 500T 5219 (NEG)
Bonus Film Grain 5219 @ 1080p 5219 @ 2.5k 5219 @ DCI 4k
(NEG) = Camera Negative Emulation
(DP) = Direct Print: Camera Negative printed to positive release print stock for different color response.
(C41) = BONUS: ECN-2 film with Rem-Jet Layer removed for C41 processing. (not Cinestill)
+ Supported Cameras

ImpulZ™ supports all current generation cameras through our generic LOG & Rec.709 input patches that are included in all versions of ImpulZ™. By popular demand we have additionally profiled a number of specific cameras with different color profiles for increased color accuracy and consistency. See the full list of cameras and profiles below:

Generic Rec.709
Generic LOG
GoPro Hero 3/4 (Protune Flat)
Blackmagic Cinema Camera (BMDFilm)
Blackmagic Pocket Camera (BMDFilm)
  • Prolost Flat
  • VisionColor
  • VisionTech
  • VisionLOG RAW
Nikon DSLRs
  • Flaat 10
  • Flaat 11
  • Neutral
  • Standard
Sony FS700
  • CineGamma 4
  • Slog 2
Panasonic GH4
  • Cinelike D
Blackmagic Production Camera 4k (BMDFilm)
Canon EOS  C100/300/500
  • C-LOG (Cinema locked)
  • Wide-DR
RED Digital Cinema Cameras
  • RedColor 3 – RedLogFilm
  • RedColor 3 – RedGamma 3
Arri Alexa / Amira (LOG-C)
SonyA7s, FS7, F35, F5, F55
  • SLOG
  • SLOG 2
  • SLOG 3

If your camera or preferred profile is not included on the list above doesn't mean your camera is not supported. The open 3D LUT format of ImpulZTM allows for any kind of image manipulation before and after a specific LUT is applied. The generic LOG & Rec709 profiles are a mathmatically derived average of a large number of cameras and people have been using these same generic profiles exclusively with our highly popular OSIRIS LUTs – the results should speak for themselves!

+ Output Gamma / Color

ImpulZTM is all about flexibility which is why we've included multiple output gamma and color response profiles for each individual film stock. These are not just your average constrast curves that re-map luminance values but the results of complex non-linear functions that distribute brightness and saturation across the tonal range similar to what you would see in a photographic lab-print. The richness of color that we associate with photochemical film is exactly what we've been missing from existing film emulations which is why we've developed an alternate approach. These are our babies!

Output Gamma / Color
Film Contrast
Film Print

Film Contrast: Non-linear distribution of image saturation with a film-like gamma curve.

Film Print: Industry standard Vision 2383 film print. Medium contrast/saturation print stock.

VisionSpaceTM: Our custom gamma response which is ideal for starting your grade. Just enough contrast to get you started in the right direction without blowing out highlights or shadows and the same non-linear saturation as our film contrast profiles.

Cineon® LOG: Industry standard Cineon LOG compound gamma (95-685). This output emulates the gamma response of the DPX scans from the film scanners (Hasselblad Flextight X5 & ArriScan 4k btw). Resulting negative emulations are compatible with all film print emulations that expect a true cineon curve as input and provide a perfect starting point for fully fledged color grading.

  Additional Conversion LUTs (Ultimate only):

  • Cineon to Vision 2383 (D50) FPE (Rec709) [medium contrast/saturation]
  • NEW: Cineon to Vision2383 (D60) FPE (Rec709) [same as D50 with different white point]
  • Cineon to Vision Premier 2393 (D55) FPE (Rec709) [more silver in emulsion – rich blacks/high sat]
  • Cineon to custom 35mm Fuji   FPE (Rec709) [color positive still film with custom print gamma]
  • Cineon to Film Contrast 01 [Non-linear saturation / print gamma – preserves negative colors]
  • Cineon to Film Contrast 02 [Bleach characteristics similar to profiles from another developer]
  • Cineon to VisionSpaceTM

All conversions are optimized for Rec.709 2.2 viewing gamma while simulating DCI P3 white point (projected).

Software Requirements:

You’ll need one of the following color grading/editing applications to work with the ImpulZ™ LUTs:

  • DaVinci Resolve (Studio & FREE)
  • Final Cut Pro X*
  • Motion 5*
  • Adobe Speedgrade
  • Adobe Premiere CC
  • Adobe After Effects CS6/CC
  • Adobe Photoshop CS6/CC
  • Avid MC 7
  • Shake
  • Pandora Revolution/Pixi
  • CineForm Studio Premium
  • Nuke
  • Film Master
  • Quantel Pablo
  • BaseLight

* LUT Utility Standalone OR Color Finale required to apply LUTs in Final Cut Pro X

The LUTs come in .cube format. If you need them in any other open 3D LUT format we’ll handle the conversion for you – free of charge.

Satisfaction Guaranteed

I will do my very best to ensure that you are satisfied with our products and if for whatever reason you are still not happy with your purchase we offer a 7 day money back guarantee.


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